The Tale of Custard the Dragon — RBSE Class 10 English (First Flight · Poem)
Everyone in Belinda's house is brave — the little dog, the cat, even Belinda herself — everyone except Custard the dragon, who cries for a "nice safe cage" and is teased as a coward. Then a pirate climbs in the window, and the "brave" ones run and hide, while the cowardly dragon does the one thing no one expected. Ogden Nash's funny ballad proves that loud boasting is not the same as real courage.
1. The characters
Belinda lives in a little white house with four pets, each described by a boastful quality:
- a little black kitten named Ink,
- a little grey mouse named Blink,
- a little yellow dog named Mustard — "as brave as a tiger," and
- a little pet dragon named Custard.
Belinda herself was "as brave as a barrel full of bears," and Mustard the dog was fierce — but Custard the dragon, despite his fearsome looks (spikes on his back, scales, sharp teeth, a mouth like a fireplace), was a coward: he kept crying for a "nice safe cage." So everyone — Belinda, Ink, Blink and Mustard — laughed at him and called him a coward, a "coward, coward, Custard the dragon."
2. The pirate attack — and the twist
One day, a pirate climbed in through the window — with a pistol in each hand, a cutlass between his teeth, and black beard. Suddenly, all the "brave" ones showed their true colours:
- Belinda cried for help and hid,
- Ink and Blink ran away (down to the bottom of the household),
- even brave Mustard fled with a terrified squeal.
But Custard the dragon — the "coward" — jumped up snorting like an engine, went straight at the pirate with great daring, and gobbled the pirate up (swallowed him whole), saving everyone. The dragon everyone mocked turned out to be the real hero.
3. The ironic ending
You might expect the others to be grateful and humbled. Instead, once the danger passed, Belinda and the pets went right back to boasting — Belinda claimed she was braver than the dragon, Mustard said he was twice as brave, and Ink and Blink also insisted they were braver. And Custard, modest as ever, agreed that he "kept on wishing for a nice safe cage." Everyone returned to teasing him — nothing had really changed. This ironic ending is the poem's final joke.
4. Themes and central idea
- Appearances are deceptive: the fierce-looking are cowards; the "cowardly" dragon is the bravest.
- True courage vs empty boasting: those who boast loudest are the first to run; real bravery shows in action, not words.
- Humour and irony: the comic characters, the exaggeration, and the ending (everyone boasting again) make it a delightful comic ballad.
Central idea: do not judge by appearances or boasts — real courage is proved by deeds. The one dismissed as a coward is the true hero.
5. Poetic devices
- Ballad: the poem tells a story in verse (a comic ballad).
- Rhyme scheme: aabb (rhyming couplets) in each stanza, giving a bouncy rhythm.
- Simile: "brave as a barrel full of bears," "brave as a tiger," "snorting like an engine."
- Alliteration: e.g. "Custard cried," "brave as a barrel."
- Imagery / humour: vivid, funny descriptions of the pets and the pirate.
- Irony: the "coward" is the hero, and the "brave" ones flee.
- Refrain / repetition: "coward, coward, Custard the dragon."
6. Closing thought
"The Tale of Custard the Dragon" is pure fun with a sly point. The whole household boasts of its bravery and mocks the timid dragon — until real danger arrives, and only the "coward" acts. Nash's comic ballad gently punctures empty boasting: the ones who talk loudest about their courage are the first to hide, while quiet Custard does the brave deed. And the ending — everyone bragging again — reminds us, with a wink, how quickly people forget and how appearances (and boasts) deceive.
For the RBSE board, remember the characters and their boasted qualities, the pirate attack and the twist (the "coward" Custard is the hero), the ironic ending (everyone boasts again), the central idea (appearances/boasts deceive; true courage is in deeds), and the devices (ballad, aabb rhyme, simile, humour, irony). Central-idea and character questions are common.
